FINDING NEMO director Andrew Stanton moves from the ocean into the final frontier with this futuristic film from Pixar. On an abandoned Earth where trash has taken over, a robot named WALL-E (Waste Allocation Load Lifter Earth-Class) accidentally finds the means for humans to return to their planet. Another machine, EVE, leaves to tell humanity the good news, and WALL-E follows her into space.

Based on a series of graphic novels, this supernatural thriller explores the transformation that occurs when a cubicle-bound nothing of a man (James McAvoy) learns he has magical powers. WANTED costars Angelina Jolie and Morgan Freeman and arrives courtesy of Timur Bekmambetov, the director of the stunning Night Watch series.

Though it features nostalgic nods to its classic TV inspiration, GET SMART is fun for both devoted fans and those who might mistake the cone of silence for a less-crunchy dessert dish. Steve Carell (THE OFFICE) takes over the role Don Adams originated as Maxwell Smart, a desk-bound analyst at spy agency CONTROL. When the evildoers at KAOS discover the identities of all of CONTROL\'s agents, it\'s finally time for Max to shine in the field. Paired with the sexy Agent 99 (Anne Hathaway, THE DEVIL WEARS PRADA), the bumbling Max leads a crusade against KAOS with a variety of high-tech gadgets.<br><br>Naysayers might have suggested that a movie based on the show GET SMART might have become another Cold War casualty, but the strong cast makes this action-comedy a success. Though the ‘60s series\' Adams can\'t be replaced, Carell ably steps into his predecessor\'s phone-bearing shoes. As KAOS kingpin Siegfried, Terence Stamp is just as deliciously evil as he was as SUPERMAN II\'s General Zod. But Dwayne Johnson (THE GAME PLAN) especially deserves kudos for his comic chops in a supporting turn as Agent 23. The part may be smaller than the lead roles audiences are used to seeing him play, but it\'s a perfect opportunity for him to display his action and comedic muscles. Behind the scenes, series creators Mel Brooks and Buck Henry serve as creative consultants on the film, and this version of GET SMART shows a loving devotion to its source material.

Pitka (Mike Myers) is an American who was left at the gates of an ashram in India as a child and raised by gurus. He moves back to the U.S. to seek fame and fortune in the world of self-help and spirituality. His unorthodox methods are put to the test when he must settle a rift between Toronto Maple Leafs star hockey player Darren Roanoke (Romany Malco) and his estranged wife. After the split, Roanoke\'s wife starts dating L.A. Kings star Jacques Grande (Justin Timberlake) out of revenge, sending her husband into a major professional skid - to the horror of the teams\' owner Jane Bullard (Jessica Alba) and Coach Cherkov (Verne Troyer). Pitka must return the couple to marital nirvana and get Roanoke back on his game so the team can break the 40-year-old "Bullard Curse" and win the Stanley Cup.

Dr. Bruce Banner continues to find a cure for his gamma-radiation induced affliction where anger causes him to become the giant, green-skinned Incredible Hulk.

In THE HAPPENING, M. Night Shyamalan serves up over-the-top, apocalyptic strangeness. The film opens onto New York City\'s Central Park with a crowd of people enjoying an idyllic summer day. The carefree scene soon takes a terrifying turn, when out of nowhere, hordes of people begin to commit suicide en masse. People scramble to make sense of the pandemonium, and many believe it is a terrorist attack. It appears that some sort of deadly toxin is being released into the air. Cut to Elliot (Mark Wahlberg) a science teacher in Philadelphia. When he learns of the attack on New York, he meets up with his wife Alma (Zooey Deschanel), his friend Julian (John Leguizamo), and Julians\'s daughter, Jess (Ashlyn Sanchez). They make plans to get out of the city via train, but the train is evacuated in the middle of a small Pennsylvania town. When they learn that the mysterious toxin is spreading its way across the Northeast, they break up into groups, with Elliot, Alma, and Jess running through open farmland in search of safety. They are unsure of where to hide, or what exactly they are hiding from, until Elliot slowly forms a theory about the threat. He fights to keep Alma and Jess free from harm, and the film builds to a bizarre, unsettling climax, with Shyamalan\'s usual surprise ending.<br><br>Shyamalan\'s premise of escaping an unknown, unexplainable attack is a timely one, and is quite chilling in concept. However, while he at times appears to be groping for the frenzied scariness of THE BIRDS, THE HAPPENING\'s outlandish death scenes and implausible plot line often veer closer to B-movie classics. The film doesn\'t match the clever creepiness of THE SIXTH SENSE, but for fans of campy horror à la THE EVIL DEAD, it is truly something to behold.

With 2008\'s KUNG FU PANDA, the talking-animal CGI film enters a new era, one that makes room for both painterly artwork and fierce martial-arts action. Po (voiced by Jack Black), a clumsy and ever-hungry panda, is a huge kung fu fan, but seems destined to sell noodles like his father, Mr. Ping (James Hong), who inexplicably happens to be a goose. When Po literally crashes a ceremony involving martial-arts masters Shifu (Dustin Hoffman) and Oogway (Randall Duk Kim) and their pupils, the Furious Five--which includes Tigress (Angelina Jolie, in a surprisingly small part) and Crane (David Cross)--he ends up being selected by the latter elder as the revered Dragon Warrior. As the skeptical Shifu reluctantly trains the hapless Po, his former star pupil, Tai Lung (Ian McShane), escapes from a high-security prison, setting up a collision course between the bumbling bear and the powerful villain. <br><br>One of the finest animated films released under the Dreamworks banner, KUNG FU PANDA deftly avoids many of the pitfalls of the genre (i.e. cheesy musical sequences), juggling action, heart, and humor in a highly entertaining way. While Black (in endearingly restrained mode), Hoffman, Kim, and McShane voice their characters with verve, the real stars of PANDA are directors Mark Osborne and John Stevenson and their animators, who lovingly depict ornate Chinese chambers and vast mountainous vistas, as well as blazing kung fu battles. A movie with remarkably wide appeal, KUNG FU PANDA delivers on its quirky, high-concept title with gleeful aplomb.

Dennis Dugan (BIG DADDY, HAPPY GILMORE) directs this comedy co-written by Adam Sandler, Judd Apatow, and Robert Smigel. Disco- and hummus-loving Zohan (Sandler) is the Israeli army\'s best weapon. He can single-handedly take out terrorists and swim like a dolphin, and still find time to charm the ladies. But this lethal weapon is tired of fighting Palestinian terrorists like the Phantom (John Turturro). He has bigger dreams: he wants to cut and style hair. Unfortunately, once Zohan arrives in New York City with a new look straight out of the 1980s and an assumed identity after faking his own death, his lack of experience gets him laughed out of salon after salon. Finally, Dalia (Emmanuelle Chriqui), a Palestinian salon owner, gives him a shot, and the older patrons love him. But just as Zohan is hitting his stride, Salim, a Palestinian New York City cabbie (Rob Schneider) recognizes him, and suddenly the Zohan\'s dream is in jeopardy.<br><br>To confuse matters more, there is a Trump-like developer (Michael Buffer) who is trying to clear out the Manhattan neighborhood where Israelis and Palestinians peacefully coexist in order to build a mall. A bulked-up Sandler is amusing as Zohan, and this is Schneider\'s best performance in years. Despite the extreme stereotyping, there is an underlying message about the futility of war and fact that people really are, after all, just people. The film is peppered with brief appearances from a menagerie of celebrities, including Chris Rock, Dave Matthews, Charlotte Rae, Kevin James, John McEnroe, Mariah Carey, George Takei, and Bruce Vilanch. Lainie Kazan and Nick Swardson also star in this film as a mother and son who befriend the new immigrant.

The continuing adventures of Carrie, Samantha, Charlotte and Miranda as they live their lives in Manhattan four years after the series ended.

In 1957, Indiana Jones is thrust back in action, venturing into the jungles of South America in a race against Soviet agents to find the mystical Crystal Skull.

The Strangers

Tony Stark is a billionaire industrialist and genius inventor who is kidnapped and forced to build a devastating weapon. Instead, using his intelligence and ingenuity, Tony builds a high-tech suit of armor and escapes captivity. When he uncovers a nefarious plot with global implications, he dons his powerful armor and vows to protect the world as Iron Man.

Based on the second novel in C.S. Lewis\'s beloved CHRONICLES OF NARNIA series, PRINCE CASPIAN finds the four Pevensie children--Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes), and Lucy (Georgie Henley)--once again whisked away from WWII-era England into the realm of Narnia, where the siblings once ruled as royalty. However, the Pevensies soon discover that 1,300 years have passed since they left, and the world is now controlled by the Telmarines, humans who long ago banished the magical creatures of Narnia to the wilderness. When the heir to the Telmarine throne, Caspian (Ben Barnes), survives an assassination attempt plotted by his scheming uncle, Miraz (Sergio Castellitto), the noble youth stumbles across Narnia\'s exiled enchanted population, and decides to lead them in an uprising, aided by Peter, Susan, Edmund, and Lucy.<br><br>Considerably darker and more action-packed than THE LION, THE WITCH & THE WARDROBE, this 2008 sequel, once again directed by Andrew Adamson, is driven by the struggle between the Telmarines and the banished Narnians, resulting in many fierce battle sequences. While the newcomer Barnes and the established quartet of Moseley, Popplewell, Keynes, and Henley are all in fine form, CASPIAN is largely enhanced by its supporting cast, which includes indie mainstay Peter Dinklage as the dour dwarf Trumpkin and revered British comedian Eddie Izzard as the voice of the swashbuckling mouse Reepicheep. Also briefly reprising their roles from the previous film are Liam Neeson, as the voice of Aslan, and Tilda Swinton, as the White Witch, actors who bring their familiar personas to this engaging and entertaining second chapter in the NARNIA saga.

Cameron Diaz and Ashton Kutcher star as strangers who wake up a married couple after a crazy night in Las Vegas in director Tom Vaughn\'s (STARTER FOR 10) feature film. Joy (Diaz) is the type of woman who makes plans to make plans. She\'s expecting a marriage proposal, but her live-in boyfriend, Mason (Jason Sudeikis), has other ideas. When he dumps her, Joy heads to Vegas to forget her troubles with her friend Tipper (Lake Bell) and discovers her fun, spontaneous side. Unfortunately, she also wakes up with recently unemployed Jack (Kutcher) as her husband. The two quickly decide to divorce, but the plot thickens when Jack wins a $3 million slot jackpot using Joy\'s quarter. Since neither one of them wants to give up the cash, they each try to drive the other to file for divorce and give up the bounty. But love has a funny way of appearing when you least expect it, and in acting their worst, Joy and Jack actually bring out the best in each other.<br><br>Diaz and Kutcher have nice onscreen chemistry and make a very photogenic couple. Treat Williams stars as Jack\'s difficult-to-please father, while Rob Corddry is Jack\'s best friend, Hater. Queen Latifah and Dennis Miller appear briefly as a marriage counselor and divorce court judge, respectively. The Vegas scenes are flashy and fun--just like Sin City--and the settings for the New York City scenes differentiate nicely between Joy\'s organized, structured life and Jack\'s less serious, happy-go-lucky attitude.

Patrick "McDreamy" Dempsey leads this big-budget romantic comedy, making optimal use of his many swoon-inducing charms. Dempsey is Tom, a wealthy womanizer living the high life in New York City. He happily hops from bed to bed, living by a firm set of rules that keeps him from becoming romantically entangled with anyone. The only woman he makes time for is his dear college friend, Hannah (Michelle Monaghan), whom he sees weekly, and whom he adores. When Hannah suddenly takes off for Scotland on a job assignment, Tom misses her terribly, and has a dramatic realization about their relationship. He makes a plan to tell her about it as soon as she gets back, but of course she returns with a handsome Scottish fiancé (Kevin McKidd) in tow. To make matters worse, she informs Tom that she must make wedding plans rather quickly, and would he please, please, please be her Maid of Honor? <br><br>In typical rom-com fashion, the tale quickly escalates into over-the-top, barely believable plot twists, forcing the viewer to turn a blind eye to any holes in the story and instead focus on the pretty clothes and Dempsey\'s dimples. It shifts into full-on fantasy mode, with rugged lads on horseback, Scottish castles, and gargantuan New York apartments that only Bill Gates himself could afford. Monaghan is likeable and lovely in her role as the confused bride, but the star here is undoubtedly Dempsey. Despite being cast as a slick Casanova, he still manages to exude the fumbling charm from his CAN\'T BUY ME LOVE days. His non-threatening grin will likely be put on repeat at slumber parties everywhere, charming yet another generation of teenage girls.

Most romantic couples--onscreen or otherwise--would kill for the type of chemistry that Tina Fey and Amy Poehler share in the gyno-centric comedy BABY MAMA, even though the women are only playing friends. Fey stars as Kate, a 37-year-old vice president at an organic foods company whose womb starts a-kickin\' every time she sees a baby. Though her career has kept her from marriage and children, she has decided that it\'s time for her to get pregnant. But multiple tries with in vitro fertilization leave her disappointed, and Kate turns to a surrogate mother. Enter Angie (Poehler), a high-school dropout desperate for the large check that comes with carrying someone\'s child. Though she agrees to be Kate\'s surrogate, it\'s clear that the women disagree on everything from music to the type of food Angie should be eating. When Angie leaves her apartment after a fight with her obnoxious common-law husband (Dax Shepard, EMPLOYEE OF THE MONTH), she moves into Kate\'s posh Philadelphia apartment, and the women spend the rest of BABY MAMA alternately battling and bonding.<br><br>Steve Martin appears in a small but enjoyable role as Kate\'s oily boss, and Oscar nominee Greg Kinnear gets good mileage out of playing her love interest. WEEDS star Romany Malco earns a bit more screen time--and plenty of laughs--as her over-involved doorman, but this is clearly Fey and Poehler\'s film. After several seasons of co-anchoring SATURDAY NIGHT LIVE\'s "Weekend Update" together, the pair is reunited, and it feels good--for both the talented actresses and the audience. BABY MAMA pays less attention to the serious issues of pregnancy and motherhood than its baby-driven contemporaries--JUNO, WAITRESS, and KNOCKED UP--but this is simply a comedy, and a very funny one, that succeeds on the merits of its two lead actresses and their comedic talents.

Born to race cars, Speed Racer is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized - the legendary Rex Racer, whose death in a race has left behind a legacy that Speed is driven to fulfill. Speed is loyal to the family racing business, led by his father, Pops Racer, the designer of Speed\'s thundering Mach 5. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company\'s maniacal owner but uncovers a terrible secret - some of the biggest races are being fixed by a handful of ruthless moguls who manipulate the top drivers to boost profits. If Speed won\'t drive for Royalton, Royalton will see to it that the Mach 5 never crosses another finish line. The only way for Speed to save his family\'s business and the sport he loves is to beat Royalton at his own game. With the support of his family and his loyal girlfriend, Trixie, Speed teams with his one-time rival - the mysterious Racer X - to win the race that had taken his brother\'s life: the death-defying, cross-country rally known as The Crucible.

Nicholas Stoller\'s FORGETTING SARAH MARSHALL is a romantic disaster comedy produced by the same team that made such hits as THE 40-YEAR-OLD VIRGIN and KNOCKED UP, headed by writer, director, and producer Judd Apatow. When he gets suddenly and unceremoniously dumped by his longtime girlfriend, television star Sarah Marshall (VERONICA MARS lead Kristen Bell), composer Peter Bretter (FREAKS AND GEEKS alum Jason Segel) is devastated. Miserably depressed, he seeks solace in tawdry one-night stands, but he is desperate to win Sarah back. On the advice of his stepbrother, Brian (SATURDAY NIGHT LIVE\'s Bill Hader), Peter heads off to Hawaii for a much-needed vacation, but he gets even more freaked out when he discovers that Sarah and her new beau, wild and wacky British singing sensation Aldous Snow (comedian Russell Brand), are staying there as well. Mired in sadness, Peter is befriended by hotel employee Rachel Jansen (THAT \'70S SHOW\'s Mila Kunis), who encourages him to get back his life and pursue his own dreams, which include staging a Dracula musical with puppets. But Peter is blinded by his desire for Sarah even as he grows closer to Rachel and starts hanging out with some of the hotel\'s odder personalities, including Chuck (Paul Rudd), a drug-addled surf instructor, and Matthew (SUPERBAD\'s Jonah Hill), a drug-dealing restaurant worker obsessed with Snow. Segel, who gets fully naked several times in the film, wrote the screenplay, a sharp blend of comedy and drama, and is solid in his first major starring role. Stoller, making his feature-film directorial debut, gets the most out of his diverse cast and beautiful setting, especially Jack McBrayer and Maria Thayer as a newlywed couple having some bizarre sexual problems, and Billy Baldwin as Sarah\'s costar in the television show CRIME SCENE: SCENE OF THE CRIME. FORGETTING SARAH MARSHALL is an outrageously funny yet touchingly sweet movie.

Fans of actor-director Tom McCarthy\'s highly praised debut, THE STATION AGENT, will not be disappointed by his second film, a gentle drama about illegal immigration. At 62, Walter Vale (Richard Jenkins) is sleepwalking through his quiet life as an economics professor in Connecticut. A conference for work forces him to return to New York City, where he finds something unexpected in his nearly forgotten Manhattan apartment: a pair of illegal immigrants is renting his place from a dishonest man, and they\'re just as shocked by his presence as he is by theirs. But Walter\'s kindness prevails, and he allows Syrian immigrant Tarek (Haaz Sleiman) and his Senegalese love Zainab (Danai Gurira) to stay. Tarek and Walter form an unlikely bond over Tarek\'s talent for playing the djembe drum, and soon Walter is spending his spare time with the couple. When Tarek is unjustly arrested, deportation hangs over the young man\'s head and Walter is determined to help. The arrival of Tarek\'s mother (Hiam Abbass) adds another element to the trouble, but she provides unexpected companionship for Walter as he crusades for her son\'s freedom.<br><br>THE STATION AGENT was a pleasant surprise for everyone who saw it, and while THE VISITOR revisits some of the same themes (particularly loneliness), it doesn\'t feel like a retread. In his first two films as writer and director, McCarthy has displayed an impressive touch with both quietly funny dialogue and complex characters. All the actors deserve credit for their emotional performances, but Jenkins adeptly carries the film on his shoulders. Until THE VISITOR, he has been a prolific character actor, perhaps most recognizable as the dearly departed dad on SIX FEET UNDER. But as magnetic as he has been in small roles, the depth of his talent becomes even more obvious in this remarkable lead performance.

Perpetually stoned pals Harold and Kumar (John Cho and Kal Penn) are back in this sequel to the 2004 cult favorite HAROLD & KUMAR GO TO WHITE CASTLE. While on route to Amsterdam, the pair is mistaken for terrorists, leading to a series of misadventures that include another run-in with Neil Patrick Harris.